Paul Gauguin
Nafea Faa Ipoipo, 1892
The practices of artists are to relay messages to the rest of the world of what they know and see and feel.
Fatata te mipi (delectable waters), 1892
http://seattleartmuseum.org/gauguin/
Art Nouveau is my favorite art period. My favorite artist of the time is Alphonse Mucha, Gustav Klimt is second in running. Of all his work Goldfish is my favorite. The lines in the image are organic and feminine. Free flowing and fun. The colors create a large value range. Bright smooth to dark and unknown. The color of the fish and the foreground to the right of it shows exuberance, and texture, a sparkle, a sense of glimmer. I love the playfulness and femininity of the subjects. The subjects look as f they are playing in a pond, or maybe even an ocean. The perspective is also obscure which leave much for your imagination.
One of western culture’s favorite pastimes is remembered watching Saturday morning cartoons. In America our youth has had the privilege of growing up with animated tales. It has taken other countries over fifty years to show the same media to their young. From 1991 on, children’s based cartoon channels have surfaced on our cable selections. In India the first children’s channel aired in 1999. Many of the cartoons that people watch are from a western culture. India has recently launched their first 2D animated films, and series’ made and produced in Bollywood.
The first animated western cartoon made was “Fantasmagorie" by the French director Émile Cohl. The cartoon reel on film was released in 1908.
In the late 1920’s Walt Disney started to make their first reels of animated film for the child viewer. Today our children have a variety of cartoon channels to watch and can choose hundreds of shows to watch. The animations that our children watch are produced from many other cultures. In India the children have been influenced by western cartoon heroes from a couple cable channels now being broadcast to their televisions.
Most cartoon produces are from the western culture. Some Indian parents are concerned with the influences the children are taking from cartoons. Many families feel that monitoring their child when they view cartoons is necessary. Some children are taking influence and ideas of our culture into their daily lives. Some families feel that their children are loosing their traditional culture through westernization or globalization.
Some of the cartoons that are being aired on the Indian cartoon broadcast channel for children are Japanese, Crayon Shin Chan, (which airs on the Saturday by Cartoon networks adult swim at 2 am.) others include Tom and Jerry, (which displays acts of random violence), Johnny Bravo, (American male chauvinist) |
In India the first animated cartoon TV series was launched in 2003. It is called Hanuman. The series is based off of an ancient Hindu god. The ancient Hanuman is a monkey headed deity who performs great deeds, and leads a monkey army to defeat the evil. The new animated series’ character is a deity reborn as a boy / superhero who attends life as an everyday character who fights common day dilemmas to save the Earth. Other popular Indian made animations include some of the most popular Hindu gods such as Ganesha, and Krishna. “A number of haloed Hindu gods and goddesses have debuted in the frenetic world of animation over the past five years. Their appearance marks a shift from a decades-long period in which Indian children grew up almost exclusively on American TV and movie characters.” (Lakshmi)
Parents like the Idea of their children learning ancient myths through cartoons. They are not worried about monitoring their children at the television. The Indian culture has found a successful way to introduce the ancient tales, and cultural values, of their background to their children, who are surely losing touch with their heritage with so many options from today’s emerging popular culture. The new animated series, is promoting India’s ancient culture as a new cool trend.
The cartoons being produced in India are full of values and good virtue. The animation is as quality as American, Canadian or Japanese toons. In fact the animation is revolutionary. The imagery and illustration is far beyond a typical Warner Brothers or Disney animation flick. Each still image is a beautiful piece of artwork in itself. The color and flow of the images catch the attention of all viewers, young and old. The traditional stories are a brilliant way to broaden our knowledge of the countries traditional cultures. India has much to offer the rest of the animation world. India is leading by example. This example may help stop producing and airing our children cartoons that need to be monitored closely. We may also get a little closer to making shows for our children that will teach them about traditions, culture and good morals.
Lakshmi, Rama. In India, Gods Rule The 'Toon' Universe: Hindu Myth a Fount of Superheroes. Washington Post Foreign Service. 2008
Vālmīki, Manmatha Nath Dutt. The Ramayana. Girish Chandra Chackravarti, 1893
Allen Katie. BBC children's series confirms India is centre of animation. The Guardian. 2008 <http://www.guardian.co.uk/media/2008/jan/02/bbc.television>
www.indiantelevision.com

The 18th century fashion was social life and class structure. The idea was to show your wealth through your dress and belongings. Fashion remained consistent throughout the century until the American and French revolution. The styles and ideas of the previous century carried over. 





Runway review
John Galliano show reviewed the spring 2008 ready to wear line in Paris October 6, 2007. This designer went so far away from your typical fashion show. In his spring 2008 ready to wear show there was a story, with a whimsical, romantic fantasy feel. Reinterpretations from the 30’s classic Grey Gardens infused with the themes of candy Island, Andy Warhol, and holiday. The stage was lit with carousal; birds in cages, bright lights, sparkle, a bench, and picket fence. The theme ran throughout the clothes and the entire production. Each model lit the stage, as she walked down the weathered wooden pier she played someone and something different; a different character a different reminisce of life, an interpretation of the characters that the designer dreamt of and was inspired by. It was a performance not a typical runway show. The models animated life, feeling and character. The show was a happy celebration of fashion.
John Galliano’s spring line presentation was vibrant, elegant, bright colors, pinks, creams baby blues, yellows, feathers, embroidery, lace, ribbons, bows, bias cuts classic, pastilles’ short frilly skirts, big floppy hats ruffles, and polka dots. Textiles used were beautifully spun silks, satins, knits, jersey and of course cottons, light wools and linens. Styles emerged through, twenties baby-stars, short tiered dresses, picture hats, flounced jackets sexy forties suits, flouncy dresses, and cardigans galore. Galliano’s line was classic but exaggerated to its fullest. Galliano shows reinterpretations’ of his classic designs. The models has pin curls slicked hair, finger waves, glittered, jeweled eyes and lips Smokey eyes long 40s eyebrows, fake eyelashes, pouty lips, pink doll cheeks, and oversized bows.
John has raised the bar speculators picked out all the trends. The market he targets has a real attitude. They are eccentric, artistic and full of life and education. Galliano keeps his audience captivated; he amazes fans every time creating a wonder… Can he pull this off again, and every season he succeeds.

Frazer Harrison/Getty Images for IMGsA model walks the runway at the Terexov Spring 2009 fashion show during Mercedes-Benz Fashion Week at The Salon, Bryant Park on Sept. 7, 2008 in New York City.
